It's
not easy or comfortable to paint outside during the winter, so when my
painting teacher, Ty Hodanish, called me one day to suggest a series of
indoor evening workshops, I jumped at the chance. He had also invited
along another local artist, Dani Antman. Dani, who has had a long career
as an illustrator, is also very interested in expanding her boundaries.
She had experimented with an underpainting technique that Ty anbd I both
wanted to try. This painting is the first result of that new technique.
I
first painted the entire scene using an undertone, if you will, of rubine
red acrylic. This was applied in thin glazes. Once the acrylic undercoat
had dried, I went back with oils and completed the picture. I like the
results. Now I don't have to be unproductive during bad weather... I can
work inside, assuming the lighting is adequate. I've done several other
pictures using this underpainting techique. Here's
one -- and here's another.
|